Among her most renowned works are House, a large concrete cast of the inside of …
Before Rachel Whiteread, no artist had ever found a way of making the air that surrounds an object the subject of their work. Courtesy of the artist. Dame Rachel Whiteread (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. Rachel Whiteread, House, East London, 1993. “I make all this stuff in the studio, but I also work on these white elephants—like House or Untitled Monument—things that are incredibly … Published: 14 May 2020 Artists struggling to work amid coronavirus, says Rachel Whiteread. Rather than pouring a liquid, such as molten metal, plastic, rubber, or fiberglass into a mold to make a replica of a regular, pre-existing work, she made a plaster cast of the negative or unseen space around an object. She has been casting these negative spaces for the past three decades after finding inspiration in Bruce Nauman’s own casted work, A Cast of the Space Under My Chair.Her earliest cast objects were water bottles, wardrobes, mattresses, and airbeds. She was the first woman to win the annual Turner Prize in 1993.Whiteread was one of the Young British Artists who exhibited at the Royal Academy's Sensation exhibition in 1997. Artists struggling to work amid coronavirus, says Rachel Whiteread This article is more than 4 weeks old Sculptor is backing UK fund giving upcoming artists £5,000 as lockdown takes its toll
Rachel Whiteread is an influential contemporary English sculptor known for her concrete casts of domestic spaces, architecture, and objects. [28] Rachel Whiteread’s cast of a Victorian terraced house in London’s East End was hailed as one of the greatest public sculptures by an English artist in the 20th century. Whiteread created Ghost over a period of three months … There is no doubt that Rachel Whiteread’s rise happened in the 1990s, and when Britain lists their most significant sculptors, she features among the top. Rachel Whiteread: "Ghost" In her breakthrough 1990 work Ghost, Rachel Whiteread created a positive from a negative, making a plaster cast of the interior "void" of a Victorian parlor measuring approximately 9 feet wide, 11 1/2 feet high, and 10 feet deep. Whiteread has been said to disrupt the 'clear' concept of women making 'female work'. Artists struggling to work amid coronavirus, says Rachel Whiteread. For her project, Whiteread chose to work with a home in …
Along with her focus on everyday objects, Whiteread’s work has taken a particular look at London and the politics of urbanisation, development, and life in the city. Rachel Whiteread became the first woman to receive the Turner Prize with her sculpture House (1993), a replica of the interior of a condemned London house created by filling a house with concrete and stripping away the mold.
[28] Her work Nine Tables attempts to exist within a third space, where the forms can't be physically gendered, but still viewed as a feminine objects. Rachel Whiteread's Vienna Holocaust memorial, perhaps her most prestigious work. Whiteread has said of this sculpture that she was trying to "mummify the air in the room," hence the title. Becoming Home. Hers is a body of work that will survive long after other, supposedly more versatile reputations have been erased from history. Completed in autumn of 1993 and demolished in January 1994, House attracted tens of thousands of visitors and generated impassioned debate, in the local streets, the national press, and in the House of Commons.
Rachel Whiteread (* 1963) zählt zu den bekanntesten Künstlerinnen der Gegenwart und überzeugt seit Ende der 1980er Jahren mit Objekten in post-minimalistischer Ästhetik, in denen sie Negativräume, Hohlräume ausgießt und so die Leere füllt. Rachel Whiteread’s US Embassy (Flat pack house) was unveiled in its permanent home at the new American embassy in Nine Elms, London, earlier this year. Rachel Whiteread, British artist known for her monumental sculptures that represent what is usually considered to be negative space. You can spot a very large concrete cast inside the house.
Rachel Whiteread’s 2002 work “Untitled (Domestic)” at the National Gallery of Art. Other discourse around female YBA work include a discussion of Rachel Whiteread's sculpture practice. Rachel Whiteread bases her practice on casting the negative and positive spaces inside and around everyday objects. Rachel Whiteread ’s artworks often read like riddles.
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